Introduction, by Emily Zimmerman
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Désordre, by György Ligeti
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Haunting Death: Reflections on Ligeti's Études pour piano, Vol. 1, by David Golightly
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On My Études for Piano, by György Ligeti, translated by Sid McLauchlan
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Woman Machines: The Future of Female Noise, by Nina Power
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After Genesis, by Claire Cowie
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Sound in Florescence: Cecil Taylor Floating Garden, by Fred Moten
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Strings Attached, by Ellen Garvens
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The Estimated Mass of Theatre Lights in a Hollow Bar, by Charles Stobbs
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Sonny Assu interviewed by Gloria de Liberali
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Textualizing Intangible Cultural Heritage: Querying the Methods of Art History, by Kathryn Bunn-Marcuse
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Digitization and Personal Trauma: Processing Stress and Loss Through New Media Expressions, by Leah St. Lawrence
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Occupational Noise Thermometer Poster with Fold Lines, by Sean Lockwood
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Reflections on Composing and Performing Climate Data: Judy Twedt interviewed by Kristina Lee
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Clotilde Jiménez interviewed by Emily Zimmerman
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Deep Listening Extreme Slow Walk Equivalency (2006–2007), by Stuart Dempster, dedicated to Pauline Oliveros
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Worried Notes and Troubled Light: Music and Hegel in Mondrian's Aesthetic Philosophy, by Emma McIntosh
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Lyrics from Worthy, from the album New Black Swing, by SassyBlack
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This is the 3rd volume of MONDAY. Volume 3 is edited by Emily Zimmerman. This volume of the printed journal is designed by Franklin Vandiver, in an edition of 250 copies. No article may be reproduced or transmitted without the written permission of the creators, or any other person or entity having copyright ownership.

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